What is the ‘sound signature’ of a human being, or of the space in which he/she interacts with?
How can we both sing and be sung at the same time?
For the past 7 years, Rob has been composing sound and music for theatre, dance and film in collaboration with a number of different people throughout Europe, Mexico, and the U.S. His work explores the subtle possibilities that natural acoustics and audio technology possess, particularly with respect to the relationships between body and voice, sound and frequency.
His approach towards sound and composition, whether for the stage or for the screen, attempts to reveal and embody the viscera of human interactions and perhaps give light to the so-called ‘hidden’ action inherent in various mediums.
Recent include:
‘Début-In Memory of Coming’ created and performed with Mala Kline (2007, Slovenia)
‘Blood, Snakes, & Tongues’Solo creation created, composed and performed (2009, Slovenia)
‘Raw’ choreographed by Ricardo Ambrozio (2010, Portugal)
‘Incarnative Crash’ and ‘The Outcast’ live music performed with choreographer Chris De Feyter/DOGWOLF (2011, Belgium)
‘David’ composer and performer with choreographer Ayelen Parolin (2011, Belgium)
‘Ela(s)’ composed sound/music for short film directed by Ricardo Ambrozio/UNTAMED PRODUCTIONS (2012, Belgium)
‘Violeta’ live and composed sound/music for dance performance created with Vivian Cruz and Lieve Meussen (2013, Mexico)